At the beginning of the twentieth century, the German art historian Erwin Panofsky (1892-1968) proposed a method in order to identify the subject matter and the iconographic meaning of a work of art. Based on our discussion of Panofskys method (see Lecture 1), analyze the painting Double Portrait of Giovanni Arnolfini and His Wife, which was painted by the Flemish artist Jan van Eyck in 1434. Include in your essay the reading Bedaux 1986 The Reality of Symbols. The Question of Disguised Symbolism in Jan van Eycks Arnolfini Portrait.

At the beginning of the twentieth century, the German art historian Erwin Panofsky (1892-1968) proposed a method in order to identify the subject matter and the iconographic meaning of a work of art. Based on our discussion of Panofskys method (see Lecture 1), analyze the painting Double Portrait of Giovanni Arnolfini and His Wife, which was painted by the Flemish artist Jan van Eyck in 1434. Include in your essay the reading Bedaux 1986 The Reality of Symbols. The Question of Disguised Symbolism in Jan van Eycks Arnolfini Portrait.

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